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Additional info for A History of Having a Great Many Times Not Continued to Be Friends: Mabel Dodge and Gertrude Stein, 1911-1934
108 Portrait of Mabel Dodge by Jacques-Émile Blanche, 1911. 109 Photograph of Mabel Dodge and John Evans at the Villa Curonia by Jacques-Émile Blanche, 1911. 110 Portrait of Mrs. Mabel Dodge and Son by Jacques-Émile Blanche, c. 1911. 111 Photograph of Mabel Dodge at the Villa Curonia by Jacques-Émile Blanche, 1911. 112 Portrait of Mabel Dodge by Florence Bradley, 1910. 114 Portrait of Mabel Dodge by Mary Foote, c. 1915. 115 Portrait Bust of Mabel Dodge by Jo Davidson, c. 1912. 116 To Mabel Dodge No.
While I gratefully relied and drew upon Donald Gallup's transcriptions of Gertrude Stein's letters to Dodge, I also transcribed the letters anew from the originals. In my transcriptions, I have sought to remain loyal to Dodge's and Stein's original written word. I have not corrected or deleted misspellings, inconsistent spellings, typographical errors, grammatical errors, or repeated words. Dodge had idiosyncratic ways of spelling and was not always a good speller. " Stein's style of handwriting, with its casual indication of many letters by a seemingly random line that peaks and dips, makes it difficult to distinguish individual letters and thus to evaluate her skill as a speller.
Sometimes she had a little puzzled look in her eyes. "33 In The Autobiography of Alice B. " 34 In his novel Peter Whiffle: His Life and Works (1922), in which Mabel Dodge appears as Edith Dale, Carl Van Vechten recounts her role at her New York salon: Sometimes she was not even at home, for the drawing-room was generally occupied from ten in the morning until midnight. Sometimesvery often, indeedshe left her guests without a sign and went to bed. 35 Mabel Dodge's silences are legendary. The writer and editor Max Eastman complained that "for the most part she sits like a lump and says nothing.